Let me start by saying that every writer needs an outside set of eyes reviewing their manuscript. In fact, we all need the assistance of a few different kinds of editors to complete a book.
Writers will sometimes try to skip the editing process. Perhaps they wish to save the money, or they don’t want to receive a critique. Personally, I’d be lost without my editors! It’s impossible for me to catch all the errors in my manuscript. I rely on those outside professional eyes to point things out to me.
A good editor will indicate the good points, along with the bad. Becoming aware of both is equally important because it helps me be a better writer. I learn through each editing experience and improve.
It’s important to recognize that there are a variety of editors. Each has a role in helping you polish your book. While you might not need to hire every different kind, you should know the different kinds of editors, so you can select the best person to help you.
This is the big picture, large-scope editing. A developmental editor will not be looking for misspelled words or misplaced commas. They probably won’t even comment on them. Rather, they will be reading your book for organization and overall presentation.
Here are some points a developmental editor will correct:
- Problems with flow
- Awkward dialogue
- Poor pacing
- Holes in the plot
- Any inconsistencies
Expect a good developmental editor to pick apart your book for overall flaws and ask some probing questions. Most likely he will point things out you haven’t noticed because you’re too close to the work. This process should be the equivalent of a good writing course in college, because you will learn so much.
A line editor gets her name because she looks at each line of your book, each sentence, and analyzes it to determine if it works. She will look for errors, but she will also point out when a sentence can be tightened a bit. In addition, she will have attention on the overall flow of the manuscript.
Here are examples of areas a line editor will work with you to fix:
- Inconsistent verb tense
- Overuse of a word
- Awkward phrasing
- Redundant words
Your line editor will work with you to make sure each sentence belongs in your book and that the pacing of your story works. She will help ensure your reader continues to read your book through to the end.
A copy editor will do a light edit on your book, giving it that polish so that it sings. He reviews your manuscript and makes sure it’s accurate, cohesive and readable. This editor is very detail-oriented and knows the various (and latest) rules of grammar. Most are trained in a few styles.
A copy editor will fix:
- Factual errors
- Blatant inconsistencies
A copy editor will find and help you repair most of the errors, but keep in mind that he won’t catch them all. You’ll need to also hire a proofreader.
This is the final stage in your book writing process. Just before you’re ready to publish, a proofreader will review your manuscript and give you feedback on spelling, grammar, formatting, etc. At this point, they are really looking for typos or any little detail that isn’t quite right.
If you’re self-publishing, it isn’t wise to simply hire a proofreader, as they will not help you discover errors in continuity, flow, character development or anything of substance.
Now, having delineated all these different kinds of editors, I must say that in practical use, these roles can blur a little. For instance, a line editor will sometimes throw out suggestions that technically fall into the developmental editing category. Or a proofreader will sometimes add his or her two cents about the flow of your book.
As a writer, it’s important to know which kind of editor will best assist you with your writing project. It’s easier for you to hire the best person for the job if you know what you need.
If you would like help finding an editor, please let me know.
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