Writing Tips for Writers

 by Laura Sherman

5 Tips to Help You Prepare to Write Your Novel

A woman begins to write a novel

You’ve been dreaming of writing a novel and now have the time to do so. You sit down at your computer and stare at the blinking cursor on the blank screen. You know the story concept you want to write but have no idea how to start.

Instinctively, you know that “It was a dark and stormy night” probably isn’t the right beginning. But what is? To ensure that you communicate your concept effectively, you need to prepare to write your novel.

Here are a few tips to get you started.

1. Outline your story idea before you write your novel

A budding writer recently asked me for advice. She was having trouble writing the ending for her book and was stuck. The problem was that she had set off without a plan and then found she’d written her character into a situation she couldn’t resolve. While some people feel that they can write a novel by just typing away with no preparation, that approach can be difficult and frustrating for a new writer.

It is true that magic is created when you’re engrossed in the writing process, but I find that it’s most effective to prepare to write your novel before letting your story flow from your fingertips. I find that when I am properly set up, the process is smoother because I have guideposts and mile markers to help me find my way.

Without a plan you might wind up in a ghost town

Writing without a plan is a bit like taking a road trip by just choosing a compass direction and taking off. It could be a brilliant choice, or you might drive for two hundred miles to discover a small town that doesn’t even have a motel. Sure, it can be an adventure, and I’m sure you’d get something out of it; but if you’d done a little research, you may have found a National Park two hundred miles in a different direction with glorious waterfalls and amazing views. Similarly, outlining before you write will save you from wasted time and words. It will save you from the disappointment of tossing thousands of words later.

There are many ways to outline. One way is to write a rough summary. It’s a bit like sketching the image before you apply paint to the canvas. Just summarize your story in a few pages. Don’t worry about grammar. Do be sure to include all major plot points.

Another system I like to use involves a journalistic approach to each incident in the book. I like to jot down:

  • The title of the incident
  • The characters who will appear
  • When it took place
  • Where it happened
  • The purpose of this scene in the book

 

For instance, I might create an incident like so:

  • Title: First day of college
  • Who: Theon, George, and Mikey
  • When: Sept 5, 1983
  • Where: North Dorm of Harvey Mudd College in Claremont, CA
  • Purpose: Introduce college setting and show Mikey living away from home for the first time.

Since the outline consists of notes from you to you, the form it takes really doesn’t matter. What’s important is that the method helps you to prepare to write your novel.

2. Shape your story

Shape your story with structure as you write your novel

Now that you have a list of incidents or a basic outline of the story, it’s time to shape it into a format that will work. If you’re not familiar with the three-act structure, it’s worth looking into. Once you understand it, review a few of your favorite books and movies and see how they incorporate the three acts into their story. Then consider how your story can fit into that structure.

In addition, it’s time to consider the arcs your characters will follow throughout the story. The main characters need to follow paths that make sense for your book. Although you might decide to work out the details of their journeys as you write your novel, you should have a rough idea of where they’re going and where they’ll end up before you start.

Conflict is a key element for any story. Throughout your book, your main characters should encounter many conflicts and difficulties along the way. These serve to raise the readers’ heart rates as they turn the pages or swipe forward. Suspense and mystery help keep readers interested.

As you take these factors into consideration, your outline or summary may need adjusting. That’s normal. At this phase, your story is a bit like clay that you can mold and squish into the shape you desire. After all, you’re the creator.

3. Get to know your main characters

A great story has strong, believable characters. As you prepare to write your novel, you can get a head start on creating characters that your readers will identify with and cheer for. Start by jotting down notes about your main character. If you feel stuck, imagine that you are interviewing him. Prepare questions ahead of time. It might help to start with a detailed physical description. Then write down basic information about him, such as:

  • Occupation
  • Marriage status
  • Number of children
  • Hobbies
  • Mannerisms

Create fun, realistic characters when you write a novel

After you have an idea of his basic attributes, you might delve into his ideology, general life philosophy, religious preferences, etc. Continue with this exercise until you feel you can answer any question about him with confidence. In other words, you know him inside out. Take the time to get to know each of your other characters in a similar way. When you know your main characters this thoroughly, many of the scenes will write themselves because you know how your people will act in any given circumstance.

If you still feel that your characters are disconnected strangers, imagine putting two characters into a room together. Set up the scene and watch how they interact. Take notes. Observe their mannerisms as well as their dialogue. Write it all down. You’ll learn a lot about them in this way.

Don’t worry about bit players in a scene. Although adding a few words of description can help set the scene, you don’t need to create a biography for the ballroom dancing instructor who appears only on page 39.

4. Build the world

If you’re writing a science fiction or fantasy story, you’ll need to spend some time building your world. This is a lot of fun! The laws of physics might not be the same, nor will the native plants and animals necessarily resemble those of Earth. Consider the history of the races that inhabit your world. What makes them distinctive?

One writing coach suggested to me that it helps to keep the setting somewhat familiar for the reader and change up only a few key things. If everything is completely different, it makes it hard for people to relate easily. They’ll get confused and put the book down. Also, you can wind up spending a lot of time explaining the nuances of the world, which can be boring and pull the reader out of the story.

world building is a key part of writing a bookAs you prepare to write your novel, think of all the aspects of the world that you will need the reader to understand. Sometimes it works to create intricate background stories that delve into the history of the society. Of course, it’s never a good idea to dump this data in a prologue or the first few chapters, as it clogs up the story with a lot of facts. Instead, talented authors weave information seamlessly into the story. However, you, the creator of this world, must understand the basics of the universe that you’re building so that you can craft your story within the rules and guidelines of it.

For instance, for the Harry Potter series, J.K. Rowling spent some time working out the rules of the magical people. She had to do that to keep everything consistent throughout all the books. Part of that process would involve sketching out the characteristics of the basilisk, the boggarts and the dementors ahead of time.

Some authors enjoy creating detailed maps of their worlds to orient the readers with the layout of the land. You’ll also sometimes find detailed genealogy tables for a family of characters in the book. There are many ways to build a world. Select the ones that work for you and your story.

5. Set yourself up for success

It’s easy to say that you want to write your novel. It’s another matter altogether to create a plan to actually do it. I’m reminded of the “Just Do It” motivational video that circulated a few years ago. There’s some truth in that statement. Sometimes you just need to bypass all the distractions that inevitably will crop up and decide that you’re going to complete your book. However, there are a few things you can do to set yourself up for success.

Find a comfortable spot to write your novel

find a good place to write your novelThis might be your bed or your dining room table. It might be a lawn chair in your back yard. Or it could be a bench at a nearby park. It helps to have a steady and established spot, where you know what to expect in the environment. Comfort is important. Make sure your seat is comfortable, giving you the back support you need.

Your space should be as free from distraction as possible. Definitely don’t put yourself at the center island of your kitchen when the children are all home and running around. You’ll get interrupted in multiple ways. Ideally you have a room where you can close the door (and maybe lock it).

Find your writing time

When I was younger, I did my best work at midnight. Honestly, I couldn’t think with doing anything meaningful before 10am. Nowadays, I like to write in the mornings. I have  three kids and find that I write the best before everyone gets up. 6am is a great time!

I recommend selecting the right time of day for you, then working consistently at that time every day. If you’re serious about writing a book, you’ll need to put in at least one hour. Remember, it takes a while to get into the groove, so giving yourself a 20-minute window will just be an exercise in frustration.

Set realistic targets

Some people might find it more productive to set a word-count writing target each week than a time goal. If you are a daydreamer by nature, time targets won’t help. After all, sitting in front of your laptop building castles in the air for thirty minutes isn’t going to help you write your novel.

So, how many words should you plan to write a day? That really depends on you. You can estimate that 250 words is about a page, so I’d encourage you to write a few pages each day. When I get going (and I’m well set up with an outline), I tend to max out at 5,000 words. After that, it becomes an unintelligible jumble of syllables.

Set a daily, a weekly, and a monthly target. Also, decide on a final deadline for your book. Then make those targets, or better yet, beat them!

 

Being a mother of three children, I’m a planner at heart. I believe that if you really want to write your novel, you need to properly prepare and follow through with the targets you establish. Set yourself up for success and don’t accept failure as an option. If you’re embarking on your first book and want a few tips, please check out my blog or write me for advice. I’m always happy to help!

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 by Laura Sherman

Writing Tips: Show, Don’t Tell

Show don't tell when you write to engage your readersThere are quite a few rules for writing, but one of the more senior commandments is show, don’t tell. I know this can be a baffling concept to new writers. Honestly, I’d hate to see a lack of understanding of this golden rule stop anyone from putting pen to paper.

As with most new skills, show, don’t tell simply takes a little practice to master. With practice you’ll find that soon you’ll begin to apply the rules almost instinctively. While honing this skill, I’d recommend that you read some of your favorite books over again and observe how the authors bring their stories to life by showing their readers various details. You’ll find there are many ways to accomplish this goal.

The meaning of show, don’t tell

Show, don’t tell simply means that you allow your readers to experience incidents through storytelling rather than overtly tell them what happened. Showing is often done through character development, in which you thoroughly share sensory details, action, and dialogue.

The reason showing is so effective is that it puts your readers directly into the shoes of the main character and lets them to see things through his or her lens. It’s a much more immersive experience for the readers, allowing them to lose themselves in your book.

An example

In order to illustrate the difference between telling and showing, here are two passages:

Terry had a fear of spiders.

Or:

As the spider crept along the tartan quilt, Terry’s body convulsed with an involuntary shudder. His heartbeat quickened as its eight legs inched toward his arm. Would that he could move it away, but none of his muscles would obey his silent plea for escape.

 

Which version did you prefer? Did one make you feel the emotions along with Terry?

Most people would agree that the second example plops the reader in the middle of the scene and adds layers to his terror. And it’s possible that the reader might experience a shudder of his own.

Use dialogue to show feelings

Characters express emotions through dialogueWhen attempting to show, don’t tell, dialogue can be a powerful tool for a writer. You can show emotions and reveal the deep relationships between characters in an engaging way. Body language also gives the readers insight into what’s going on.

Keep in mind that people have various ways of communicating. Based on their past relationships, they will speak to each other in different ways. Consider how you speak to and interact with your grandmother. Now think about how you speak with and interact with your sibling or your best friend. Each relationship is very different, right? We all have different behavior codes for the variety of people in our lives who are important to us. Well, the same would apply to the characters in your book.

It’s also worth mentioning that people aren’t cut-out duplicates of one another. We all have different traits that create our personalities. Examine all the people you know. Do they each speak in the same way? My guess is that they have slightly different accents, use different words to communicate ideas (probably with a variety of slang terms), and sometimes slip into half-sentences. Use these personal experiences when you write. It’s through your characters’ idiosyncratic ways of speaking that you can reveal their emotions, intentions and purposes.

Sometimes I find it helpful to see the incidents of my story as scenes in a film. Screenwriters have to show what the characters are experiencing through their actions and dialogue. In a film you couldn’t say, “Joe was angry” unless you included a narrator in the script, which would be awkward. No, you’d need to show that he was angry.

Same goes when writing a book.

Example

So, you could write:

Sally decided to leave her husband of twenty years. When she confronted him about it, he became very angry.

Or you could write:

Sally stood at the doorway and studied her husband. “Joe?” she said as she fidgeted with the hem of her shirt.

Joe crumpled the newspaper onto his lap with an exaggerated flourish. “Yes? What is it?”

“I…” she faltered, then took a deep breath. “My bags are packed.”

Joe glared at her. He grabbed his cane and slowly eased himself out of the chair to a standing position. “You’re really doing this?”

She gave a quick nod. “Yes.”

Sally watched as Joe’s face turned a familiar shade of purple. If he’d been a cartoon, steam would have been coming out of his ears right about then. She took an involuntary step backward.

“Twenty years of my life wasted,” he said through gritted teeth. “Get out. And don’t bother to come back.”

Avoid overusing adverbs

Show don't tell when you write a bookWhy is it that we hear seasoned writers warn against using adverbs? After all, they are an important part of speech, modifying not only verbs, but adjectives and other adverbs. Pretty universal, right?

Well, Stephen King wrote in his book On Writing:

“I believe the road to hell is paved with adverbs, and I will shout it from the rooftops. To put it another way, they’re like dandelions. If you have one on your lawn, it looks pretty and unique. If you fail to root it out, however, you find five the next day…fifty the day after that…and then, my brothers and sisters, your lawn is totally, completely, and profligately covered with dandelions. By then you see them for the weeds they really are, but by then it’s—GASP!!—too late.”

Dramatic? Yes. But that’s Stephen King’s signature style.

So, is it wrong to use an adverb? Nah. Just don’t overuse them because they can become a crutch. After all, tossing in a ready-made adverb can be easier than investing the time to show the reader how a character feels. Maybe that’s why Mark Twain warned us that “Adverbs are the tool of the lazy writer.”

An example

“I wouldn’t if I were you,” Becky said condescendingly.

Or:

Becky folded her arms across her chest, her lips curled into a smug smile. “I wouldn’t if I were you.”

 

There is no doubt about it, writing is a balancing act: You want to find your unique voice while obeying all the agreed-upon rules of the craft. If you’re new to writing, give yourself some time to develop your own style. Don’t worry too much about all the rules like show, don’t tell until you begin editing your own book. And remember, while it’s good to know the rules of writing, they aren’t intended to become a straitjacket. Keep writing and enjoy the process!

in Editing tips / Writing Tips for Writers 0 comments
 by Laura Sherman

How to Create a Compelling Character Arc

Your protagonist needs a powerful character arcBestselling novels and memoirs have believable and memorable characters who carry the reader through the story. Think of your favorite books. Consider the main characters. They probably followed a compelling character arc, which encouraged you to follow them loyally and happily on their adventures.

What is a character arc?

A character arc is the journey the character follows through the story. This path usually parallels a traditional three-act structure. As you develop the first act, your reader is introduced to your main character. The stage is set, a conflict is established, and the character’s goals are revealed. Then the character encounters an incident that incites her to begin her journey. This catapults her into the second act, where she follows her personal call to action. Then in the third act, she encounters the climactic confrontation and has her triumphant victory.

There are four main kinds of character arcs used in literature:

  • Transformational
  • Positive
  • Flat
  • Negative

Transformational and Positive arcs are somewhat similar. At the start of the story the character is in an unfavorable situation, but, by the end of the story he winds up in a far better position. Flat character arcs have no change. The character stays the same throughout the story. This type of arc is usually reserved for superhero-type protagonists, who have no need to change. They start out good and end up good. It’s worth noting that often minor characters don’t change much. In a negative arc the character ends up in a worse position than when he started.

As a ghostwriter, I specialize in transformational or positive character arcs because I feel strongly that these make for a better reading experience. Although stories like Breaking Bad, where the main character becomes a meth dealer to solve his problems, can be very popular with viewers, they aren’t my cup of tea. I prefer to stick with uplifting plot lines.

Positive character arcs

transformation of a character in a book you writeIf your story has a happy ending, this is probably the character arc you’ll want to choose. A popular example of this would be Harry Potter. He starts his journey as an abused boy, confused by his special abilities. Along the way he blossoms into a confident hero of both the magical and muggle worlds. It’s worth noting that many of the other major characters go through their own arcs. For instance, by the end of the series, Hermione and Ron are quite different, because their personal stories are very different.

If you’re writing a memoir, you are the protagonist of your piece, and your experiences will determine your character arc. Most likely it will be a positive one, otherwise why would you write your book?

Over the last twenty years I’ve worked on seventeen memoirs. Each one told the story of my client’s fierce battle to overcome nearly impossible odds. The reason these books were successful was that the reader believed the characters’ journeys and could identify with the authors on some level.

One client shared his story of growing up in an impoverished community which lacked running water and electricity. He had a happy childhood, but there were many challenges and a lot of conflict. As he grew up, he overcame many obstacles. By the end of the book, he found his way to America and became a successful entrepreneur. The story is powerful, riveting, and relatable to many. Not surprisingly, this book is currently being made into a movie.

A few tips for a successful character arc

Tip #1: Conflict is key

You need conflict in your bestselling book!Any story worth reading will start off with a bang (ie: it will throw the protagonist into a heap of trouble early on). Honestly, I always do my best to drop my readers into the deep end of the pool so that they have to tread water to keep up.

Now, in order to produce this kind of an effect on your reader, you need to create conflict throughout your book. Your main character needs to struggle and fight his way through whatever circumstance life throws at him. Sometimes this conflict can be quiet; perhaps it comes in the form of a disagreement. Or it can be splashy, like the beginning of a war or an invasion. A story without conflict will become a book that collects dust in a forgotten thrift store.

Tip #2: Develop strong characters

Your goal is to create a main character your reader will want to follow. This can be difficult if she isn’t well developed. You must introduce your main character to the reader early on and make her intriguing and captivating. Give her strong characteristics. Be clear and certain in your presentation of her attributes and personality.

I recommend that before you begin writing your first draft, you create bios for each of your major characters. Flesh out their back stories, work out their motivations, and make sure their behaviors are believable. Really understand who they are. Know them just as well as you know your real-life best friends. Once you have realistic three-dimensional characters, you can create compelling arcs for them to follow.

Tip #3: Show, don’t tell

Show, don’t tell is a popular phrase among writers. It means that you need to show elements of your story through action rather than through narrative. Keep this in mind as you create your lead character’s transformational arc.

For instance, how boring would it be if your protagonist announced out of the blue that he planned to turn over a new leaf and stop selling drugs. Where is the conflict and drama? Your character needs a reason to make a change. And you must show that to the reader.

Tip #4: Determine the correct character arc for your story

Select the right character arc for your bookBy choice I have never written a book with a negative or flat character arc. But that doesn’t mean that these are not viable options. You will determine the correct path for your character based on your story and the message you wish to impart.

For instance, if you’re writing a high-action adventure story along the lines of Indiana Jones, it might not work to have your main character undergo too many changes. A flat arc could work. In addition, it’s possible to tell a powerful story with a positive message through a negative arc illustration. The Godfather comes to mind as a good example. Michael Corleone starts out as a good guy, but by the time the door closes at the end of the first movie, you can see that he’s undergone a transformation for the worse.

Not every character arc needs to see the protagonist through from complete failure to complete success or have a complete one hundred-eighty degree shift in viewpoint. Not every protagonist needs to be an Ebenezer Scrooge who turns from a miserly grump into a philanthropic benefactor by the end. No, the change might be a bit more subtle.

 

As you work on outlining your book and creating the protagonist for your novel, consider the arc he or she will follow. Choose one that works for the story and the message you wish to write. Create an engaging character and a compelling arc, keeping in mind that you want your readers to relate to and understand them. Using these tips, you will find your readers rooting for your main characters and happily and loyally following them on their adventures.

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 by Laura Sherman

Common Word Errors — Part 1

Every writer battles word errors. You know the words I mean. Yours might not be the same as mine, but I would imagine you have common word errors pop up in your writing just as I do.

These trouble words can lead to nightmare scenarios that are enough to keep some people from ever writing. Imagine your embarrassment when you find out the query letter you sent to an agent was riddled with common word errors. Or your chagrin when you learn about all your mistakes from various poor reviews after you finally publish your first book on Amazon.

As a writer, you know the power of words. The words you choose leave a lasting impression on your reader. You want the impression to be good, but the incorrect use of words can spoil the effect you work so hard to create.

Unfortunately, common word errors happen more often than would be expected, especially in these days of self-publishing, when some authors cut costs by skipping the editing phase of a book project. Learning how to edit your own manuscript is key to minimizing common word errors.

I’ll be discussing various kinds errors in this series, but in this article I wanted to zero in on homonyms.

Tricky homonyms

Homonyms are two or more words that sound the same (and are sometimes spelled the same), but they have different meanings. When you fully understand each word, and the differences between the homonyms becomes clear, then it’s easier to use them correctly. Here are a half-dozen of my favorite trouble words.

There or Their or They’re?

common word errorsThese three words mean completely different things:

There indicates a location: Put the pot of petunias there.

Their shows possession by people or things previously mentioned: Put their pot of petunias there.

They’re is a contraction of “they are”: They’re putting their pot of petunias there.

Tip: If your trouble word involves a contraction, try expanding it out into two words. For example: “they’re” becomes “they are.” It can help you determine the correct choice.

It’s or Its?

This one is probably top on the list of common word errors. The confusion lies in the apostrophe. That mark is used to indicate either missing letters (a contraction) or a possession. In this case, the apostrophe signals a contraction.

It’s means “it is,” as in: It’s a beautiful rose.

Its indicates that something belongs to “it”: It’s a beautiful rose that lost its petals.

Again, if you expand “its” into two words you can quickly see if the contraction or the possessive is the right choice. For example:

The child stood on its (or it’s) head.

Expanding out the contraction, you’d get:

The child stood on it is head.

Nope! That makes no sense. Must be:

The child stood on its head.

Your or You’re?

The misuse of these homonyms leads to funny statements. Your indicates that something belongs to “you.” And you’re is a contraction of “you are.”

For instance, there is a big difference between:

Your dinner!

And

You’re dinner!

The first one means you’re about to eat, and the other means that you won’t be around long enough to worry about grammar anymore.

Than or Then?

Then is used in relation to time, while than is used to show a comparison.

So, you’d say:

Barry went to lunch at noon. I’d like to go then.

Or

I’d rather go to lunch with Barry than later at 2pm.

Now, it can get really confusing if you’re comparing two time periods, as in:

I’d rather go then than then.

But that’s a different story…

Farther or Further?

Both words indicate distance, but it’s the quality of the distance that makes it tricky.

Farther indicates physical distance, whereas further implies a more figurative concept of distance.

So, you’d say:

I’m farther down the road than she is.

And

I’m further along in the book than he is.

Tip: Farther has the word “far” inside it. This can help you remember that it has to do with physical distance.

I hope this helps make it far more clear so it won’t give you further difficulty.

Complement or Compliment?

Sometimes, it’s just one little letter that makes all the difference.

To compliment is to praise something or someone and to complement is to complete or enhance.

So, you’d say:

He complimented her on her new dress.

Or

He complemented her so well they got married.

Remember that scene from Jerry McGuire?

“You complete me.”

“Shut up, you had me at hello.”

Yes, they complemented each other nicely. No compliments necessary.

As you can see, understanding the meaning of the words helps in choosing the right ones so that you can avoid common word errors in your writing. If you find these confusing, I recommend keeping a little journal of your personal trouble words so that you can refer to them whenever needed.

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 by Laura Sherman

Understanding The Three-Act Structure

Writing a book using the three-act structureToday I’m pleased to present a guest blog from Erick Mertz, author and ghostwriter, who is an expert when it comes to structuring a book. I asked him to write this article to give my readers a good foundation in the three-act structure.

Writing a good book, one that connects with readers, requires the mastery of story fundamentals. You must understand characters, the “who” of your book, as well as the setting, the time and locations where your story takes place. No element, however, is more richly rewarding than the plot.

The plot describes the series of events that take place throughout the course of your story. It is the action, those challenges your character faces on his or her path toward achieving their end goal.

A lot gets written about how to properly formulate a plot. Structuring the events in a story the right way leads to a higher degree of readability, meaning your readers will simply enjoy the book more. Getting the right events in place is important, but the right events in the wrong order will leave your readers confused, or unsatisfied, which ultimately leads them to put your book aside in frustration.

Don’t let that happen. Once your readers get into your book, you must do everything that you possibly can to keep them engaged. Getting the right events in the right order is critical to achieving this. One of the ways you give yourself the best chance of achieving this is to follow a classic story structure that has been around and engaging readers for nearly two thousand years.

What Is The Three-Act Structure?

The three-act structure is used in books as well as playsThe first thing you may have thought of when “three-act structure” was mentioned was the theater. Stage plays breaks into acts, usually two or three, with an intermission between them. This is the time when the stage changes form and you can go out into the lobby for a quick breath of fresh air.

Using a three-act structure in a book or a screenplay is not indicated by a roadblock break in the action. There is no end of Act I break written on the page. In a book, structural shifts are seamless. While some changes may come in the form of a chapter break, there isn’t a callout anywhere that says, commencing Act II, as there would be in a stage play script.

Rather than roadblocks, a writer signals changes in the act by way of subtle shifts in the focus of events. Instead of being told the act change has happened, the reader senses it through the events that unfold. Events in a three-act structure build off of one another, behaving like emotional building blocks. Early scenes set the tone for future events, always narrowing in focus and increasing in intensity until the very end when the main character — your protagonist — reaches their goal.

Three-Act Structure & Character

Before diving into the elements of the three-act structure, it is important to establish a fundamental understanding of core character archetypes. In the most rudimentary terms, characters break down into three main types: protagonist, antagonist, and ancillary characters.

The main character, or the protagonist, is the central focus of the story’s central journey. They are the person (or creature, force of nature, or animal) whose path of change we are following. Change comes to all characters, but the protagonist’s change is the one we really care about the most.

Opposing the protagonist is the antagonist. This is the story’s villain, the force putting up the resistance to the main character’s change. Their actions are focused on holding back, slowing down, or stopping the protagonist on his or her way toward their goal.

By and large, ancillary characters are along for the ride. They attach themselves to either protagonist or antagonist (although sometimes they act alone) and are the ones helping achieve those ends. Think of them as the cast of fun, interesting, helpful, or hindering partners that move the story along.

When we refer to events within the three-act structure, they come in reference to what the protagonist is doing and where they are. In rare instances, those events connect to what is being done to them. You will see that the other character roles are usually there to affect what the protagonist is doing.

Act One

During the first act, setting and character are established. This is what writers call the ordinary world, where the main character has their roots planted before the real story starts. We see this is how they were living before the “inciting incident” an event that happens during this section.

Act One is important for a couple of reasons. First, it provides the necessary context. We need to see who our hero or heroine is before the adventure. At some point in this story they are going to change — hopefully drastically, in the direction toward a better self — so this is our chance to see their life before.

The other reason Act One is important is because it is where the “inciting incident” occurs. Every hero receives a call and it usually comes in the ordinary world when they least expect it.

Act Two

Gears in motion as you write your bookThe demarcation between Acts One and Two is the moment when the story’s hero chooses to accept their call to action, something they may have denied before. They’ve debated about the ordeal long enough. They’re no longer thinking about doing something extraordinary — they’re on the path to doing it.

Act Two is the book’s longest section. It comprises roughly 50-60% of the length. This act comprises most of the action, from the early part of the adventure to the introduction of antagonist forces to the set-up for the final conflict.

Every hero is faced with a unique challenge all their own. In Act Two, they are meeting that obstacle, learning about the mountain they must climb, and actually climbing it. This is where they stumble and fall down, before getting strong enough to make the push to the end

Any storyline can be thought of this way, from fiction to memoir to business book. All of our lives and journeys, real or imagined, are filled with conflicts that require acceptance, practice, and trials before the climactic moment on the path to ultimate success.

Act Three

Act Three commences moments before the final challenge is breached. It is arguably the shortest section of a story, centered around the climactic confrontation and falling action.

What is the climactic confrontation? Think of the moment in the story when the hero meets the villain, opposite forces facing off against one another. The protagonist has been moving steadily toward meeting their goal and the antagonist has been pushing back. This is when push comes to shove, the moment when someone has to triumph.

What constitutes the falling action is everything that happens after the climax has been resolved. Maybe the antagonist is vanquished, and the protagonist receives the proper laurels. In one way or another, the journey of transformation has been completed and the hero can return home.

The Three-Act Structure In Action

DumboPerhaps the simplest visualization of a three-act structure is through the Disney classic, “Dumbo”.

In Act One, our protagonist, a baby elephant with ears too big, is born into an unforgiving world. He is an outcast in the circus and struggles to find his worth in a world cruel to misfits.

Act Two begins when Dumbo works to find his place in the circus. His journey is to find his means of fitting in despite an outcast status he is helpless to do anything about. At first, he fails in his big change, but with some grit and determination (and the help of his guide Timothy Q Mouse) he works to find a place for himself. Through this process, he learns that he may have the ability to fly.

At the beginning of Act Three, Dumbo on the edge of trying out his new trick of flying in front of a packed entire circus tent. After much trepidation, he is successful, which ultimately solidifies his place in the circus as an equal to his peers. The antagonist of prejudice has been vanquished.

The Three-Act Structure — In Conclusion

Understanding how to employ the three-act structure is an invaluable tool for reaching your readers. While the idea of a structure might seem rigid, it actually works quite the opposite way. Knowing where certain events should fall makes structure intuitive and leads to happy readers.

Biography:

Erick Mertz, Author and ghostwriter

Erick Mertz is a ghostwriter/editor/manuscript consultant from Portland, Oregon. You can read more of his thoughts about the business and craft of writing at his website here.

in Guest Blogs / Tips from a Ghost Writer / Writing Tips for Writers 0 comments
 by Laura Sherman

How to Edit Your Own Book

Edit your bookIf you want to be a great writer, and create a best-selling novel or memoir, you must learn how to edit your own book.

Now, I’m a huge fan of Star Trek. Doctor McCoy would often say, “Damn it, Jim. I’m a doctor, not a _______!” (fill in the blank with brick layer, engineer, etc.) I have the feeling that some writers might identify with that sentiment. I can just imagine them saying, “Damn it, Laura. I’m a writer, not an editor!”

I hear you.

I get it.

However, I beg to differ. There’s no getting around the fact that you need to know how to edit your own book.

While you are a writer and can magically weave words together to create worlds and entice your readers, you are also in charge of making sure your words communicate. The editing process will help you accomplish that.

When you learn to edit your own book, you will become a stronger writer. Your first drafts will become better and better with each subsequent book, because you will spot your weak points and correct them. Not only will you improve your ability to structure plot, create characters and highlight themes, but you will probably reduce the number of spelling and grammatical errors.

Edit your own book before you publish it

It’s important to note that after you edit, and before you publish, you will need to hire outside editors to make sure everything works. Most authors hire at least a developmental editor and a copy editor. If you have questions about this area, please check out my article about the different kinds of editors available to you.

However, before you turn over your work to a professional editor, you will need to make sure it is the best you can make it. That way the editor can do a better job for you.

The editing process begins with you

editing is a bit like cleaning up after a partyThink about it.

Your editor can do a much better job if he doesn’t need to wade through a super rough draft. It’s a little like hiring someone to clean your home after a party where litter and lampshades are strewn around the floor. While some may feel it is silly to clean up for the cleaner, it actually makes sense.

With the obvious mess out of the way, he can spend his time doing a detailed cleaning. It’s the same with your manuscript. When you clean it up, it will save your editor time, which will save you money.

The editing process ends with you

When you hire a professional editor, she will give you a lot of comments. Some will be elements that you must change, while others will be an opinion. You need to recognize the difference and act accordingly.

If you misspelled a word or misused a comma, you’ll need to make those corrections. However, sometimes the editor might not quite get your voice, your style, or your meaning. In those cases, you need to know not to make those changes. If you plan to develop a long-term relationship with an editor, communicate directly with her about those points so that she can understand how to better edit your work. If she is defensive, find another editor. There are many good ones out there.

Publishing options

While it’s true that traditional publishers provide in-house editors for all the books they have under contract, you still need to get in the front door. It’s vital to present the best draft you can. Otherwise, they will ignore your manuscript and reach for one of the many thousands that grace their inbox.

Most authors opt to self-publish. Although you can self-publish anything these days, the last thing you want is to publish a book full of plot holes and riddled with typos and errors.

You can never erase the bad reviews you’ll get.

Proper editing will go a long way to encouraging a slew of five-star reviews, which will help you to develop a following.

Edit your own book with the big picture in mind

It’s a mistake to focus on grammar and editing when you sit down to edit your own book. This isn’t a good place to start. Instead, begin by looking at the overall structure and flow of your book. Later you can work your way down to the fine details. When you tackle the big picture first, many of your words and sentences will change, thereby possibly eliminating the need to correct spelling and grammatical errors.

When you edit your own book ask what is my story aboutTo get a sense of the big picture, I find it helps to find a one-line answer to the question, “What is my story about?” The answer you come up with will help you align your book around that central concept.

For instance, let’s say you determine that your book is about how you struggled through adversity to become a successful business owner. Skip the late-night stress-baking scenes or the irrelevant tiffs with in-laws. Unless the scene directly relates to the purpose and thrust of your book, delete it.

Let’s examine various key elements of the big picture.

Plot

When you first start to edit your own book, I suggest that you examine the plot. Make sure it hits all the areas you need it to hit:

  • Have you followed the three-act structure?
  • Does the story flow logically?
  • Is there a good level of conflict and tension?

If you haven’t outlined your book, now might be a good time to analyze the purpose of each incident within your story. If you can’t find a purpose for the scene, delete it.

Characters

The next step is to scrutinize your characters carefully from a big picture viewpoint. Do they each have a purpose in the novel or memoir? If not, cut them out. This can be the hardest part of editing for an author, I know. Writers tend to get attached to the people they created.

While you are sharpening your editing sheers, keep in mind that a character’s role can be small, yet significant. For instance, the barista who serves Joe a cup of joe every day might be a sounding board for his new ideas. Or Clarissa’s strict piano teacher might help the reader understand why she is such a perfectionist as an adult.

The main characters should all follow character arcs. In other words, they need to have some sort of transformation through the incidents of the story. Look over a few of your favorite books. Can you identify the character arcs within the stories?

If you’re writing a memoir, keep in mind that you are the main character of your story.

Themes

Themes are the main ideas that tie your story together. Universal themes deal with ideas about Love, Friendship, War, Faith and the like. More specifically, you can have themes such as “Persistence always wins in the end,” “Family is important,” or “Being true to oneself has rewards.” For more information about themes, read my article, Great Memoir Themes.

Your book should explore one or more themes. I like to think of it like weaving gold thread through tapestry to make it shimmer. You never want to hit your reader over the head with a theme. Instead, you want to suggest it and have the readers recognize the concept for themselves. Or not. Readers never like to be told what to think. I mean, who does?

As you edit, make sure your story aligns with your theme. For instance, if you want to promote the idea that kindness wins in the end, you might not want your lead character to succeed by gleefully hurting others around him with no consequence.

Zoom in to edit your scenes

zoom in to view the individual scenes of your bookNow that you have all the big picture elements the way you want them, it’s time to closely examine your individual scenes one by one.

In the opening scene you want to grab the reader by the scruff of his neck and (hopefully) never let go. One way to do this is to drop him in the middle of the ocean and demand that he treads water to keep up. This is the make-break point of your book. The opening scene can be the most challenging to write, so some authors rewrite that first crucial scene after they complete their first draft. It can be easier to edit after the book is completed because you know exactly where the story winds up and you have all the story elements worked out.

As you review each scene, make sure it has a strong purpose in your story. It should move the story forward or illuminate an important aspect of your characters.

Also, determine if the scenes flow well the way you have them organized. You might need to switch them around. If you do, be aware that you may need to create new transitions.

If you’re a writer who writes by the seat of his pants rather than outlining ahead of time, this is a good time to sprinkle in a few foreshadowing elements. If you’re a plotter, these may be covered. However, while editing, you might have brilliant insights that inspire you to add in a few more.

This is also a good time to review your transitions. If they are too jarring, your reader will be flung out of your book and might never find his way back. Ideally, you want one scene to flow into the next like a long river.

Characters, a closer look

When you examine your characters, make sure they are believable and three-dimensional. Even if a character is secondary, she needs to have proper development and realistic motivations for her actions. Of course, a bank teller who appears once on page fifty-nine doesn’t need a back story, but consider that the third-grade teacher, who is featured in a quarter of the book, will need more than a mere physical description.

Continuity is something to look at in this phase. In the big picture you’ve gone over the character arc and made sure each main character has hit the highs and the lows that he or she should. But now it’s time to make sure each character is consistent in his speech and actions. If Matilda was angry and sullen in the first part of the book, but suddenly becomes cheerful halfway through, there needs to be a reason. Likewise, if you established that Terry wasn’t very bright, it wouldn’t make sense if you later have him wax intellectual about a scientific discovery.

Point of View

You can write your book from different points of view:

  • First person – The protagonist is telling the story. He is part of the story and shares his experiences directly.
  • Second person (rare) – The narrator is telling the story of “you,” so that it seems like the action is happening to you (the reader).
  • Third person limited – The narrator shares some of the thoughts and experiences of the characters, usually just one character.
  • Third person multiple – The narrator shares the thoughts and experiences of several characters.
  • Third Person omniscient – The narrator shares the thoughts and experiences of all characters.

Make sure you are keeping the point of view consistent throughout the story. For instance, if you’ve chosen third person limited and are writing from Mary’s point of view, you can’t suddenly switch over to James’ in the middle of a scene. Find a way to show how he is feeling from Mary’s viewpoint.

For instance, you wouldn’t say:

James couldn’t believe his ears. How could she have said that?

Instead, you might say:

Mary took a step back as James advanced on her saying, “How could you say something like that to me?”

Dialogue

Create realistic dialogue for the characters in your bookDialogue should have a purpose. It should move the story forward by providing information, advancing the plot or giving insight into your characters. Dialogue can be a wonderfully subtle way to reveal your characters’ motivations, as well as their overall moral compass and viewpoints.

Each character should have his or her own way of speaking. For instance, someone who is angry at the world will speak in shorter sentences, whereas someone with a flair for the dramatic might wax poetic with long, flowery prose. In addition, people in the real world sometimes make up their own words or phrases.

As you edit your own book, read your dialogue out loud or maybe have a friend read it to you. Listen carefully to the words and see if they sound real. Bad dialogue stands out like a leech on your leg.

Make sure each character has a distinct voice which is consistent and predictable. Pay close attention to your main character’s voice, especially if he or she is the narrator.

Edit your own book line by line

Now it’s time to zero in on each line of your book. Again, you shouldn’t focus on this task until you have completed the big picture and the scene analyses. Here you’ll focus on the word choice and look for errors.

Line editing is an art and there are many, many ways to edit your words so that they communicate effectively and efficiently. There are too many areas to discuss in this article, but I wanted to highlight a few key ones.

Show, don’t tell

This is a writer’s mantra.

When you edit your own book and see that you’re explaining something such as an emotion or a thought, consider how you might show it. This allows the reader to see it and draw his own conclusions, making him an active part of the story.

For example, you wouldn’t say:

Susie thought of the way Barry broke up with her. This made her feel sad. She missed him so much.

However, you might write:

Susie saw Barry across the room. She turned with a sigh and blinked away a tear as she fingered the silver chain he’d given her the previous month.

For a more detailed explanation of this concept of show, don’t tell, please check out my article on the subject.

Minimize your use of adverbs

Adverbs can weaken your writing. They also tell the reader something rather than allowing him to experience it. So, it’s good to use adverbs sparingly. Instead, use strong verbs to show the reader what is happening.

For example:

“I’ll do it later,” he said tiredly.

Instead, use something like this:

John yawned and closed his eyes. “I’ll do it later,” he murmured.

Keep your language real

Never try to impress your reader with fancy vocabulary. Instead, focus on words that best communicate your ideas.

For example, please don’t say:

Katie was stultified as the lecturer pontificated.

Rather, try:

Katie found the lecture boring.

Take out needless words

edit your own bookWhen you write your first draft, the emphasis is on getting your ideas on paper. You should just let your ideas flow. To do that, you’ll probably use a lot of words to give them form. Now it’s time to delete the filler words.

For example, you may have written:

Smith took over the empty pilot seat in order to navigate around the mountain peak.

You can tighten it like this:

Smith took over the pilot seat to navigate the mountain peak.

After all, we can guess that no one was in the seat when he sat down and of course you’d go around the mountain peak.

Remove redundancies

When you write your first draft, you may find that you’ve repeated yourself. This is the time to edit out those redundancies.

For example, it is not uncommon for writers to write:

…he thought to himself.

You can simply say:

…he thought.

You can only think to yourself.

Or if you wrote:

She kicked him with her foot.

You can edit it down to:

She kicked him.

We know it was with her foot.

Check your “trouble words”

Proofreading is part of editingThese are words that give you difficulty. Maybe you just can’t remember the spelling or the grammar rule. No worries, everyone has them.

For instance, some people struggle with the difference between “your” and “you’re”. Or they have trouble remembering when to use “it’s” and “its.”

Luckily, there are plenty of online resources and tools to help you with trouble words. But nothing beats finding these errors for yourself. So, keep a list of your trouble words handy and look out for them as you line edit your own book.

Congratulations!

You’ve made it through the editing phase of your book project. Now you can turn over your manuscript to one or two professional editors. Then it’s off to the printing presses, virtual or otherwise.

If you have any questions or need help as you edit your book, please feel free to comment below or write me directly.

in Tips for writing memoirs / Tips from a Ghost Writer / Writing Tips for Writers 4 comments
 by Laura Sherman

How to Write Dialogue: Four Quick Video Tips

I belong to a few online writing groups. I love to answer questions that new writers have about how to write and encourage them to continue on their writing adventure. Writing takes practice. And to be able to write dialogue requires a good ear. Check out my article on How To Write Great Dialogue for a more in-depth analysis on the subject.

In this video, I wanted to highlight a few key points to remember.

Tip#1: Write dialogue that sounds real

Have you ever read a book or watched a TV show and just found yourself snapped out of the story? Chances are that the dialogue didn’t sound real to your ears. When characters speak in a way that sounds artificial, the readers can lost interest.

When I was in high school, I remember watching General Hospital. Soap operas are notorious for having poor dialogue. I couldn’t watch one nowadays. There’s no purpose for the interchanges half the time. Or the purpose might have been to prolong the scene.

You’re writing a book. You’re interested in drawing in the reader and keeping him or her engaged. In order to do that, you need to make sure your dialogue is tight and sounds real.

Tip #2: Delete unnecessary pleasantries

The only way to learn to write great dialogue is to start somewhere. I remember when I first started to write stories in grade school, I would begin at the beginning. It made sense. Mary walks into the room to talk to Joe. Wouldn’t Mary greet Joe? Then wouldn’t Joe greet Mary?

Well, sure, in real life you might hear:

“Hello, Joe,” Mary said.

“Hello, Mary. How are you?”

“I’m good. How are you?”

“I’m good, too.”

In a book, these pleasantries are a bit painful to read. Most of the time you can shorten them and cut right to the purpose of the dialogue between the characters like so:

“Hey, Joe,” Mary said. “How’s it going?”

“Great! I got a new job.”

That’s better. It leads into an interesting conversation.

Tip #3: Add humor into dialogue when possible

Now, I’m not saying you should force humor into every scene. That would be awkward.

However, I know that when I really know my characters, when I’ve truly developed them, they tend to create their own dialogue. Some of my characters are good friends. And when two friends get together, they usually crack jokes. This lapse into comedy often includes inside jokes that others on the outside might not get. As an author you need to make sure the reader is in the loop, so that he can understand the banter.

Tip #4: Write dialogue for your readership

Remember that not everyone is always going to get every joke. Some readers won’t get your sense of humor. That’s OK. They aren’t your readership!

In the above scene with my daughter, we throw in a reference to Monty Python and the Holy Grail. Will everyone know the film? Probably not.

You don’t need to write dialogue so that everyone in the world will understand each joke on the first pass. It’s hard to create inside such a tiny box. Simply go for communicating to your readers.

It’s important to identify your readership before you start writing, then write to those people. Teenage boys will probably have a different sense of humor than middle-aged mothers. Maybe.

Simply consider your readers as you write dialogue between two characters. And remember, you can perfect dialogue when you edit your book! Don’t stress about it too much in the first draft phase.

I hope you enjoyed this video and found these tips helpful.

Dialogue tags in a book

 

 

 

 

in Tips from a Ghost Writer / Videos / Writing Tips for Writers 0 comments
 by Laura Sherman

How to Write Great Dialogue

Awkward dialogue is a problem for any bookWhen two characters struggle for conversation in a book, the dialogue stands out like a blooming weed in a garden of tulips. The reader’s attention is quite suddenly ripped from the story and shifts to the awkwardness of the passage. Bottom line, if you want to be a writer, you need to learn how to write great dialogue so the reader feels like he is eavesdropping on your characters.

If you look back at all your favorite books, you’ll discover that you probably got lost in the conversations. The words flowed naturally as they might if you got together with your best friend or sibling.

Honestly, writing dialogue isn’t hard. It just requires a bit of understanding, study and practice.

How to recognize great dialogue

Characters need to communicate the way real people do.Dialogue is a tool that can breathe life into your story. It must always have a strong purpose, or it will fall flat and be boring. Never have two characters chat for the sake of filling a page with words.

When you write great dialogue, it allows the reader to see how a character feels and what motivates him to do the things he does. It defines his relationship with other characters. In addition, dialogue allows you to move your story forward, provide background information, foreshadow events, or set the mood for a scene. If it doesn’t do any of those things, those passages probably need to be cut.

Study dialogue

One of the best ways to learn to write dialogue is to study the dialogue within other works. Sounds simple enough, right? Well, it’s true.

Definitely read lots of books. When you find one which captivates you, go back over the scenes you liked best and observe how the author conveyed his or her message. Look for style points that you might be able to use.

I also suggest that you glance at screenplays you like. After all, scripts rely on dialogue to tell the story. By studying these you can see what works and what doesn’t.

In addition, watch movies or television shows and pay attention to how the screenwriter tells the story through the people. Each main character should have his or her own way of speaking, which helps us understand their personality better. For instance, Tyrion Lannister (from Game of Thrones) uses off-color humor and intelligence to overcome potential prejudice. Or when Teal’c from SG1 lifts an eyebrow and says, “Indeed,” it speaks volumes about the stoic Jaffa warrior. Both characters are beloved by fans.

Eavesdropping helps

Man eavesdrops to learn how to write dialogue betterIf you’re anything like me, you were probably brought up to never listen in on the conversations of others. Well…I’m going to ask you to break that rule. I know it sounds weird, but if you eavesdrop on the conversations of strangers, it will assist you in your quest to write great dialogue.

Airports are good places to find interesting people from diverse backgrounds. Malls and cafeterias are other hot spots. If the place is too crowded, the ambient noise might be overwhelming, so pick a place where you can zero in on one group of people.

Really listen to how people naturally chat. Take notes. What slang do they use? Keep in mind that slang and pop culture references will date your piece. This can be helpful. “Groovy, Daddy-o…” would put us in a different era than “Gag me with a spoon.” “Wassup?” was huge in the 90’s, whereas the term “newbie” only became popular this century.

Really observe others as well. Conversation isn’t just about the words; it also involves gestures, facial expressions and vocal tones. Note these down. You can sprinkle them into your story later to make your dialogue more realistic.

Great characters use great dialogue

The best way to write great dialogue is to truly know your characters. To do so, I recommend writing character biographies. Besides physical description, background, hobbies and the like, you can do a deep dive into the characters’ personalities. Is Sam angry because he was overlooked for a well-deserved promotion? Perhaps Georgia is grief-stricken by the death of her husband and Luke is so self-involved that he doesn’t even see another’s point of view.

Give your characters distinct voices

By knowing your characters, you can jot down phrases, physical mannerisms or speech patterns that reveal their true natures. Following the examples above, you’d probably find Sam speaking in short, clipped sentences, while Georgia might speak more hesitatingly. And Luke might have trouble answering a question directly because he doesn’t really care what anyone else is saying.

Make the speech realistic

Some new writers might wonder about contractions. As a child, I was taught that a good writer never used them in formal writing. Later, I learned that isn’t always true.

Sure, there are times when a character might shout, “I will not do that!” If you read that line out loud, you’ll probably find yourself punching each word individually. “I…Will…Not…Do…That!”

However, most of the time, in a normal (not yelling) conversation, the character would use a contraction. “I won’t do that!” It is more casual. And that’s often the right way to go.

Also, consider if characters completely spell out their thoughts or do they sometimes trail off mid-sentence. I think you’ll discover that in real life we often don’t speak in complete sentences. And we don’t always say what we mean.

Show how characters are feeling through dialogue in your bookFor instance, you wouldn’t write:

Darla approached Sam uncertainly.

“Go away, I’m mad at you!” he huffed angrily.

This on-the-nose exchange is boring. Instead, here’s another option:

Darla tiptoed over to Sam, biting her lip. “So, I was thinking…”

Sam folded his arms across his chest and glared at her. “What?”

The reader can see that Darla is uncertain and Sam is angry. We don’t have to spell it out.

Like your characters

Whenever you invest yourself (and the reader) in a character, you have to be sure to like him or her on some level. Otherwise the character probably won’t be authentic.

Robert De Niro said in an interview that he must really like every character he plays—even the evil ones. He explained how he had to be able to relate to each character he portrayed in some way in order to get the audience on board. I have to say, that was very enlightening for me, as that concept applies for writers as well as actors.

If you look at it, evil people rarely consider themselves to be evil. They have a reason for their actions, just like anyone else. It’s just that their purpose is often self-serving and contrary to agreed-upon moral codes, making it disturbing for the rest of us.

When you write dialogue for a bad guy, get his or her viewpoint fully; think as he or she would. Otherwise your character won’t be believable.

Tips to write great dialogue

If you want to improve your technique, I recommend doing exercises geared towards writing dialogue. Here is an article with a few writing prompts. Personally, I like to put two developed characters in a room and just listen to them converse.

Then I write what they say.

It’s so simple it can feel like cheating.

Let it flow

Allow dialogue to flow when you write your first draft of your bookWhile you are writing your first draft, just let the dialogue flow. Don’t worry if it matches your character’s voice or motivation. Don’t agonize over whether or not it’s relevant to the story. And please don’t fret over grammar, spelling or punctuation. Just let it flow.

When you do this, you’ll uncover some sparkling gems of conversation that you might never have discovered otherwise. Don’t worry, you’ll have a chance to fine-tune your character’s words during the editing phase.

Delete the boring stuff

In real life, we sometimes carry on mundane conversations.

“Hi!”

“Hi!”

“How are you?”

“Good. And you?”

This sort of dialogue is terribly boring for a book. No one wants to read it. As Alfred Hitchcock said, “Drama is life with the dull parts cut out of it.”

As a writer, you must be creative and work out how you can get your point across, forward your story, and develop your characters, all while trimming the humdrum.

Keep your dialogue exchanges short and snappy. Get straight to the point. You want to make an impact, so drop the reader into the middle of the exchange.

Watch the dialogue tags

Dialogue tags in a bookWhen I was starting out as a writer, I loved to use any alternative to “he said” I could think of: “She argued” or “He pontificated” or “She moaned” (you get the idea). I went way overboard, and it became terribly distracting for my poor readers. Most of the time it’s much better to stick with the bland “he said.” Having said that, you can skip most of the tags, popping them in when needed for clarity.

For instance, you might write:

“Last night was rough,” Jane said.

Mary nodded. “You’re telling me. I’m sore all over.”

“Think we’ll be called in again tonight?”

“No.”

“Why?”

“It’s Tuesday,” Mary said. “Nobody wants to see us wrestle on a Tuesday.”

Read your dialogue out loud

Conversations between friendsWhen you complete your book, leave it alone for a few days to a week before you edit. Give yourself time away from the piece.

Now, read your dialogue out loud.

Bad dialogue pops out beautifully when you do this.

Here’s a rule of thumb: if the words don’t slide off your tongue easily, your character will trip over them, too. As will your reader.

Note: If you’re bored as you read through the dialogue, you need to edit. Don’t worry, that’s normal! Ideally, even though you wrote your book, you should be just as enthralled by it when you read it over as your future readers will be. When it flows and you get drawn into the story, you know you have a winner.

If you need help with dialogue, email me and we’ll sort it out. Dialogue-driven stories tend to be my favorites.

Additional articles you might find helpful:

What to Expect In an Interview with a Ghostwriter

Write and Publish a Book

Help! Help! I Need Help Writing a Book!

Write Your Family History

A Ghostwriter’s Fee: How Is It Charged?

How to Conquer Writer’s Block

in Tips from a Ghost Writer / Writing Tips for Writers 0 comments
 by Laura Sherman

Now Is the Right Time To Write A Book

write a novel for your readersDo you have a burning desire to write a book this year?

You’re not alone!

I believe that everyone has at least one book within them. Whether they wish to share a story idea that’s been simmering for years, sage business advice to help others succeed, a personal life story that just needs to be told, or a family history project that is time sensitive.

As a ghostwriter of twenty years, I’ve worked with many clients in each of the above categories. I love them all because each genre has its own particular challenges and its own rewards. And although they are all unique, each book project requires the same elements and preparation.

If you follow the steps in this article, you will avoid the common problems people face, which can cause writer’s block and cause them to fail in their goal to complete their books.

Get ready…

Before you can really get started on a book, you need to prepare yourself for the project. I believe the reason most people never complete their books is that they don’t set themselves up properly from the get-go.

Make a firm decision to write a book

Make the firm decision to write a book—no matter what. This decision will help you stay on track in the face of distractions. Give yourself a final deadline and target dates along the way for milestones to complete. That will help you finish your book.

Find the time

The best way to complete your book is to make regular progress. Find a time of the day when you won’t be disturbed. This may be early in the morning before the kids wake up, or late at night after all of your other responsibilities are done.

If you can only carve out a few hours a week on the weekends, that’s a good place to start. Just know that you might find you lose some time in reacquainting yourself with the material if you allow too many days to pass between writing sessions.

See if you can find even a little time to write every day. You’ll soon be immersed in creating your book and may even find extra time to work on it.

Find a place

writers need a good, dedicated spaceFind a dedicated writing space. Somewhere around your home, with a door you can close, would be most convenient. I know some writers who are inspired by the great outdoors and settle down near a lake or in a meadow. They don’t even mind the occasional visits from beetles and spiders.

It doesn’t matter where you set up, as long as you can write without distraction.

Experiment, and find your place.

State your purpose

Over the years, my clients have voiced a variety of different purposes for writing their books. Many writers yearn to see their names on the cover of their books. As an author, I understand; I know there’s no better feeling than seeing your creation in print.

Beyond that, there are authors who crave financial gain, while others want to share their story or wisdom in order to help. Some simply wish to complete their books for the benefit of their loved ones.

Be clear about your purpose right from the beginning. It will allow you to better determine what direction you will take.

Determine your readership

One of the biggest errors you can make as an author is to fail to identify your readership. You can’t write a book to everyone. Trust me, you’ll fail. No, you need to target your words to a specific demographic.

It’s important to figure this out early, because the voice and style of your book will depend on the readers you wish to entertain or educate. After all, wouldn’t you write a how-to book for experts in your niche market differently than you would a science fiction novel aimed at a young adult audience?

Consider your themes

Share the good and the bad when writing your book with your ghostwriterSimply put, the theme of your book is the glue that ties everything together. This idea often conveys a universal truth, such as Love, War, Forgiveness, Courage, Friendship or Faith.

For example, I think we can all agree that J.R.R Tolkien communicated courage beautifully in The Hobbit, as did J.K. Rowling in Harry Potter. Friendship was another theme in both these works.

Keep in mind a book’s theme is rarely stated outright. It’s more subtle. It’s a takeaway the reader will experience and consider for years to come when you express your viewpoint of the world and the human condition through your characters’ beliefs, actions, experiences and conversations.

Get set…

Now that you’re fully set up to write a book, it’s time to organize your thoughts. A lot of first-time writers fall on their faces when they just begin to write without a strategy. After all, if you were to bake a wedding cake for your best friend, you’d probably do a little research and at least follow a recipe.

Create detailed notes

It is so helpful to jot down detailed notes before you begin to write a book. Get these ideas out of your head and onto paper. This process will help you envision your story and get the creative juices flowing.

I have found an effective way to collect notes is to create an idea folder. This could be a word processing document or a notebook. Any thought you have about your book should be recorded in this folder. Don’t worry about the order, grammar, spelling or anything else.

Just let your ideas flow.

Have fun with it.

Remember to research

Photos are good research tools for your bookResearch is crucial for any book project. If you’re writing a memoir or recording your family’s history, you’ll need to provide accurate details as to time, location, appearance of the historic events. This also holds true if your novel is set in a past era.

Fortunately, you have many resources available to you for research. Many writers use the internet and the library, but don’t forget the treasure trove of information within the minds of your family members. Many of them lived through the decades past and can share experiences with you.

As you gather information, add it to your notes file. Be sure to always record your sources, so you can refer back to them.

Your story will take place in a location. If it is a real place, use the information from your memory or research to paint it accurately. If you are writing fiction and setting your story in an imaginary place, I recommend that you do some world building. World building consists of fully fleshing out the universe which your characters occupy. This includes the geography, history, scientific laws and developments, culture and customs of the inhabitants, etc. By having a crystal-clear idea of what these are, your story will flow, and your readers will happily come along on the adventure.

Know your characters

Regardless of your genre, you will probably have a cast of characters in your book. Even most business books include personal anecdotes that involve friends and family. These characters all need to be developed.

I find it helpful to create character biographies. Here I list each person who will be featured in the book and jot down their name, birth date and various other attributes that will help me write realistically about them. Some things to consider might be:

  • physical appearance
  • clothing style
  • speech patterns
  • mannerisms or habits
  • hobbies

Go…

At this point you have an excellent, solid foundation in place; you are well set up for success. Now it’s time to pull together all your notes and research into a cohesive plan. Then you can begin to write.

Create an outline

Ghostwriters create an outline by asking who, what, and whereAn outline allows you to organize your notes to create a good flow for your book. I am a big fan of outlining. It’s a road map that allows me to know the direction I’m going with my book. Without an outline it’s very easy to take a wrong turn and wind up in a dead end.

If you’re writing a novel or memoir, consider putting all the incidents in chronological order. That’s usually the best plan. Of course, you can opt to indulge in the occasional flashback, but don’t overdo it.

Your outline can take any form that works for you. After all, it is for your eyes only and is purely a tool to help you organize the content of your book.

When writing a business book, I suggest that you create a table of contents along with subheads. Jot down descriptions or bullet points under each to remind you about the content you wish to share.

For a novel or memoir, I prefer to use a different system. I create a large incident list which answers the following questions:

  • Who is in the scene?
  • Where does it takes place?
  • When did it happened?
  • What happened in the incident?
  • What is the purpose of the scene in your book?

Note: The last point is by far the most important aspect of this process. After all, if a scene has no purpose, it will just land on the editing room floor at the end of the project.

Write your first draft

Once the outline is completed, you may find that the book is pretty well written—in your mind. Now it’s time to get words on paper.

New writers often edit as they crank out the first draft. Try to avoid doing that. Just get the rough draft completed. I know, it won’t be great. That’s OK! You’ll fine tune your manuscript during the editing phase.

So just sit down and write…

And write…

And write.

If you’re writing a memoir, and find yourself sharing personal stories, be as detailed as possible so that you can help the reader feel as if he were right there with you. To do this, close your eyes and see the colors, hear the speech patterns, smell the odors, taste the food, and feel the textures in each incident.

The same goes for a novel. Use your senses when you’re telling the story. Draw on personal experience if possible. If not, use your world building notes to help guide you.

If you’re penning a how-to book, be sure to give step-by-step, detailed instructions for your reader. Put yourself in the shoes of someone who knows nothing about the subject. Imagine what questions he may have as he tries to do the steps, or any difficulties he may run into, and address them accordingly.

Edit your first draft

Edit your bookAfter completing your first draft, it’s time to edit. I’d recommend putting your manuscript down for a few days or a week to take a breather from the project.

The next step is to read over your manuscript from beginning to end and see if there are any issues with continuity. It can happen that you switch gears on a subject mid-writing. In that case, you’ll need to go back and make adjustments.

You will also pick up on issues with flow as you read it through. Some scenes will flow right into the next, while other transitions will be choppy. This is the time to fix that.

While doing this you may spot typos. Sure, fix them, but this isn’t the time to focus on grammar or punctuation. Instead, make sure the story sings. By the time you finish this phase, you may find that you’ve altered and rearranged the words so much that fixing typos doesn’t make sense.

Once you’ve worked out the major kinks, you can review your manuscript for errors in grammar and punctuation. I’d recommend hiring one or two editors to look at your story with fresh eyes. It’s always good to have a detached person review your work.

With these steps for how to write a book, you should be ready to start. Regardless of the decade and what is going on in the world at the time, there’s no time like the present to begin. If you have any questions or would like some help, please contact me. My greatest joy is in helping others achieve their dream of sharing their story in a book.

 

Author Bio: Laura Sherman (aka the Friendly Ghostwriter) has been helping authors write their stories for twenty years. When she’s not busy building worlds for her clients, she homeschools three children as the family travels the country in her RV.

 

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 by Laura Sherman

How to Conquer Writer’s Block

writer suffering from writer's blockHave you ever stared at a fresh, new document in frustration because the words just wouldn’t come? Not the dreaded writer’s block. No, anything but that. No matter how hard you try, you just can’t get your fingers to perform the chorus of taps you need.

Writer’s block…

These two little words evoke fear in the hearts of many brave warrior writers, causing them to spiral down into a swirl of anxiety and self-doubt. It’s a writer’s worst nightmare.

While some claim that there is no such thing as “writer’s block,” the fact is that if you’re reading this article, you probably feel it’s real and that’s enough for me. Perhaps your well of inspiration has run dry. It isn’t “all in your head” and it isn’t an imagined curse.

The good news is that there is a remedy.

I think of writing in terms of flow—a steady, continuous stream of ideas being put into a document. Now, sometimes a flow can get stuck, just like a river can be stopped by a variety of blockades.

So, what is the solution?

Remove the barrier and get the flow moving again.

Write something, anything

My main remedy for writer’s block is to write.

Okay, I realized that might sound oversimplified. The truth is, solutions to problems don’t have to be complicated. The best ones are usually very straightforward.

prime the pump to combat writer's blockIf your creative well is dry, then you may need to prime the pump. Simply flowing words onto paper might just unstick you and pull you out of the stagnant doldrums.

Find something you can write about very easily and just let yourself go. Don’t think about your current project. Your job is to simply get words out so you can get the river of words flowing again.

A few ideas

writing a letter to a friend can help fight writer's blockIf you’re stuck for ideas of things you can write about, here are some suggestions:

  • Compose an old-fashioned letter or an email to a close friend. Share a recent experience you know she’d enjoy.
  • Write in a personal journal you know no one will ever see.
  • Pen an article for a blog, sharing advice with your readers about something you know a lot about. If you don’t have a blog, now is a good time to start one.

Even short pieces can help you get back into the swing of writing. You can write out a detailed to-do list, post messages on your favorite social media sites, jot down notes for your roommate or spouse, etc.

It really doesn’t matter what you write, so long as you put words on paper. Remember, writers write.

It’s in their blood.

It’s in your blood.

Note: It’s worth mentioning that reading can also help you write. If you’re stuck, try reading a book you really enjoy. You may become inspired!

Plotters versus pantsers

I’ve recently learned that in the writing world there are “plotters” and “pantsers.” Yeah, this was news to me, too. These terms describe authors who “plot” out an outline or those who “fly by the seats of their pants” and develop their story as they go.

In case we haven’t met, Hi, I’m Laura Sherman the Friendly Ghostwriter, a dyed-in-the-wool plotter. I blog a lot about how to outline a book. I can’t even begin to write a short story without a detailed road map of where I’m going. It would be a hot mess. I’d be a hot mess.

I realize that not everyone is a plotter. Many great writers are pantsers. That’s fine. Some of my best friends are pantsers.

However, I’d be remiss if I didn’t point out that you can always switch from one method to the other mid-stream. It doesn’t mean you have to give up your membership card to your team. No, if you are a pantser, you can secretly plot out the rest of the book and see if that helps you steer your way out of your writer’s block. Or, if you are a plotter, you can diverge from your outline to free flow a section just to get your creative juices going.

Plotters, adjust your outline

Outlining can help you find your way out of writer's blockNow, if you’re a plotter like me and you find that you’re stuck, it could be that the writer’s block you’re experiencing is simply your common sense saying that you’ve headed in the wrong direction. If the words don’t fly off the keyboard, go back and make sure you’re on board with the direction of the story. It can be an easy fix; just make some adjustments to your outline.

A book can be boiled down to a series of incidents. I often create my outline by listing all the events that will occur in chronological order. However, where an outline can fail is when the purpose of each individual incident isn’t specified or understood.

With fledgling writers, I’ve found this to be a common problem. They’ve created a spectacular scene, but ultimately discover that it really has no purpose in the book they are creating. It just doesn’t tie into their themes.

If this happens to me, I toss it from the current project and save it in a file for future use in a different story.

As a side note, if you find that you’re bored with a scene, but it is vital for your story, just sketch it out and move on. You can spice it up in editing. Your immediate goal is to get a good rough draft under your belt.

Give yourself a break; it’s a first draft

I’ve seen too many new writers spiral into vortex of self-invalidation regarding their first drafts when they write a book. One of the biggest pieces of advice I have for them is to just bang out the first draft and don’t edit.

Your first draft is the rough draft. The goal is to get your ideas out of your head and onto the page.

The first draft won’t be perfect.

It might even be ugly.

That’s okay.

Save editing for the editing stage of the process. Don’t edit as you write. The first draft should have tons of typos and errors. Mine always are littered with them.

You write, you fix, you write, you edit, you write, you go back three pages and re-read it all, maybe even deleting whole paragraphs.

You sit back and ask, “Is it perfect?”

No.

Ack! Now what? Stop writing.

woman has writer's block because she edits too muchIf this is what’s happening with you, it could explain your “writer’s block.” The above scenario can become very choppy very quickly, because the sequence of actions is confused. You should write, write, write, write the first draft until it is complete. Then, and only then, do you take out the proverbial red pen and edit. Or hire an outside editor to help you. I’ve written an article about the different kinds of editors you might consider hiring. There are quite a few.

Yes, writing a book calls for a leap of faith. So, close your eyes, let go of any preconceived notions, and just start typing. You’ll be amazed at what may come to you if you just allow yourself to create.

Can’t find the right word?

If you’re stuck on finding the exact word or phrase to describe something, don’t obsess over it. Sure, Google the word for synonyms or pull out your trusty thesaurus, but if nothing really works, put down something as a place holder and move on.

Personally, if a word eludes me, I know it won’t be for long. When I move away from it, it never fails to pop into my mind, sometimes in the shower. It’s kind of the same with recalling names:

Who was that woman at the party with the cheese plate?

You know, the one with brown hair and glasses…

Gladys, no.

Judy, no.

Then, a little bit later, while I’m washing the dishes…bam! It comes to me. It was Sarah Jones.

So, whatever you do, please don’t waste hours staring at the blank screen, trying to retrieve the exact right phrasing now. It will come to you. Later.

Surround yourself with supportive people

Your inner critic can cause writer's blockSometimes writer’s block goes deeper than the writing process. Some writers fall prey to their “inner critic,” which is basically the voice inside your head telling you that what you’re doing is not good enough. Being blunt, critics aren’t my favorite class of people.

If you’re taking on the role of your worst critic, it can paralyze you to the point where you can’t write at all. There is absolutely no benefit to cutting yourself into shreds. Show your inner critic to the door of your mind and ask it to leave.

One very real cause of writer’s block can derive from peers who discredit your abilities. If you have helpful friends who jokingly tell you, “Hey, Joe, don’t quit your day job!” this can be damaging to you as a writer. The only purpose of such comments is to get you to stop writing. Don’t seek advice from these people. Surround yourself with supportive people who have your best interests at heart, people who want to see you succeed.

This isn’t to say that constructive criticism isn’t very helpful to a new (or an experienced) writer. Every writer can always improve and grow. I personally LOVE it when some kind soul writes in to tell me I have a typo in a blog article or gives me tips on my writing. It’s quite wonderful!

When you’re trying to sort out whether someone’s feedback is helpful or not, the trick is to look at the intention behind the comment and really observe how it makes you feel. That will help you figure out where to file the suggestion. If the critique leaves you feeling good about yourself, listen to it. If you feel like you’re a poser who should never write again, toss the advice and the friend.

Final thoughts

As a writer you are engaged in one of the most amazing activities in the world: creating. It’s a wonderful and impressive ability that you have!

Now, that’s not to say that writing isn’t hard work. It has its challenges.

Writer’s block can be a bump in the road. But rest assured that it is a small bump that can be handled fairly smoothly. With a bit of experimentation, you can find the actions that will help turn things around. And if the remedy works once, it will probably work again. Soon, there will be no stopping you.

If you need advice or help in the area of writer’s block, please don’t hesitate to email me!

Additional articles you might find helpful:

Help! Help! I Need Help Writing a Book!

Write and Publish a Book

How Much Does It Cost to Hire a Ghostwriter

Learn to Become a Ghostwriter

What to Expect In an Interview with a Ghostwriter

How to Write Great Dialogue

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