Dear Friendly Ghostwriter, I won’t call myself a writer by any means, but I wrote a book because the idea was stuck in my head. I had ten people read and edit it. Then I self-published it through Author House. I know it has potential, but I was told I need more descriptions in a book. I wrote for a fast read and people say it’s too fast. So, now I’m lost and know I need help. What do I do?
Congratulations on writing your first book!
You are absolutely a writer. Don’t sell yourself short.
As I’ve stated in a few places on my blog, I truly believe that everyone has at least one book within them. It takes a lot of courage to take that idea that you have stuck in your head and put it down on paper. By sharing our stories, it brings us all closer, making the world a little brighter.
Your question is wonderful. Let’s get into the subject of the art of storytelling through using descriptions in a book.
The importance of descriptions in a book
As an author, you want to help people feel they are smack in the middle of the adventure you’re sharing. For instance, when you’re sharing a memoir experience, proper descriptions will allow your reader to feel what you felt, see what you saw, etc. If you don’t help set the stage, people will be lost.
If you’re spinning a yarn (telling a fictional story) good description helps the reader visualize what you create. After all, as a novelist, you are often creating new worlds to explore or transporting people to a different era or culture. It’s fun!
Don’t overdo it
In this fast-paced world, we like to keep things moving along. This especially applies to books. Readers really need you to get to the point. If the author spends two pages describing the food at a buffet, readers will often skip over those pages. If that happens too often, they’ll put the book down. Very few people have the time or interest to read through pages or even paragraphs of flowery explanations of the way things look.
Find a way to give just enough descriptions of the people, places, and things in your story to help your reader truly understand what you are sharing. Too little and they’ll be confused, too much, and they’ll get bored. I know, it’s not easy. Writing takes experience. You’ll get the hang of it!
Identify the mood
I like to break my stories into incidents. In each scene, some characters perform specific actions to accomplish a goal. So, read over your story and isolate all the individual incidents.
Now, select one. What is the mood of that event? Is a married couple arguing over money? Is a corrupt businessman afraid of the intern who is threatening to expose him? Name the mood, then look for places where you can amplify it with some descriptive words to complement your intention.
For instance, you can punctuate angry scenes with shorter sentences and violent gestures. People tend to cross their arms, their faces become flushed or red involuntarily, and they sometimes clench their jaws. There are a ton of mannerisms you can describe. These help the reader understand the emotions involved.
Use your senses
Writing instructors often recommend that you make a chart of sensory words you could use to describe something. So, let’s say you want to describe that corrupt businessman. List out some of your senses and find words that describe your character or environment. For example, smells associated with the corrupt man might be stale cigarette smoke, musky cologne, or old sweat. Sounds could include a raspy cough or the clink of the coins he rubs together when he’s nervous. You get the idea.
Show, don’t tell
I know I’ve mentioned this axiom (show, don’t tell) a zillion times in my blog (not exaggerating), but honestly, this is a cardinal rule in writing. Your readers want to see the story unfold. When I write, I imagine my story as a movie. This helps me avoid explaining things or being too vague. After all, when I write a screenplay, I can’t “explain” anything with descriptive passages. It all needs to be told through action and dialogue.
To illustrate, I’ll continue with the corrupt businessman example. Let’s say you want to show that he’s scared. You could just write, “He was scared.” However, that really doesn’t help the reader slip into the moment with you. Here’s another approach: “His throat was so dry, he could barely swallow. Small beads of sweat dripped down his back as he clutched his hands in his lap to stop them from trembling.”
Which do you find more effective in putting you smack dab in the middle of his fear?
Which one shows the emotion properly?
Descriptions in a book should show rather than tell the reader what you wish to share.
You have already done the hard work, D.T. Bravo! It sounds to me like you have the action down. Now you can round it out by adding a few descriptive details. Have fun with it!
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